Friday the 13th: A New Beginning stirred away from Jason Voorhees as the main antagonist, but there’s also an exciting theory Roy was controlled by Jason when he dedicated his killings. The fifth film in the series chooses years after Jason’s death and trails Tommy Jarvis. Tommy murdered Jason in self-protection as a child, and he’s oblique to have survived in a harshly disturbed state ever since. Spectators meet him again while he’s on his way to Pinehurst Halfway House. In archetypal slasher fashion, a homicide binge soon takes place in the area neighbouring the capability.
About the film
Since Jason has been murdered, it’s uncertain if he’s back or if somebody has taken his place. That is, till the very end, after Tommy is, in conclusion, able to use his fight-or-flight answer to slay the secretive killer. Later, the sheriff clarifies to sticker Pam that the body was recognized as Roy, a paramedic seen previously in the movie. He was one of the EMTs who removed away the body of a murdered halfway house local Joey after an accidental, ruthless killing in the courtyard. It goes out Joey was Roy’s separated son, and seeing his child’s slaughtered remnants was so intensely troubling to him he was sent over the superiority. It sparked Roy’s killing binge, and he accepted Jason Voorhees’ mask and overall MO to concealment.
The narrative indeed makes sense, mainly since Roy appeared so distressed at the vision of Joey’s body. But there’s another general theory, with some admirers thinking Roy was controlled by Jason’s soul when he went on cruel adventures. There are some indications to support this indication. It’s pretty probable the look in Roy’s eyes early in Friday the 13th: Part 5, as he stares at his son’s dead body, isn’t just tremor and fear. It might also be the moment when Jason starts searching his way into Roy’s mind.
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The ending
At the end of the movie, while alone in his hospital room, Tommy goes into a trance-like state, where he fantasizes a version of Jason stand-up at the end of his bed. It isn’t rare for Tommy; he’s been enduring flashbacks, nightmares, and other hallucinations since the film’s start. But this occurrence is different. Instead of becoming upset, he lets out a wheeze before gazing at the fictional murderer with an unnerving calmness. There isn’t any dialogue, but it appears to spectators that Jason might be, if not genuinely owning Tommy, at least subconsciously interactive with him. And, of course, Tommy lecturers a Jason mask at the very conclusion, and the film ends with the insinuation he murdered Pam.
