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    Min Hee Jin – The Highest Paid Female Executive In The K-Pop Industry

    Min Hee Jin is a South Korean director specializing in Art and Visual Designer. She is Chief Branding Officer of brand of Hybe Corporation and CEO of its sublabel ADOR. She was previously inventive head of SM Entertainment, where she was liable for the marking of idol groups like Girls’ Generation, Shinee, Exo, and Red Velvet.

    Min Heejin is one of the main female chiefs to get a complete payment of more than ₩500m ($441k) in the “Big4” diversion organizations: SM, YG, JYP, and HYBE. Access to public filings, Min’s absolute earning last year was ₩527m ($465k)

    What do we know about Min Hee Jin’s Education?

    What do we know about Min Hee Jin's Education

    Min was born into the world in 1979, currently 43 years of age in South Korea. She went to Seoul Women’s University, where she got a degree in visual Designing.

    What is known about Min Hee Jin through her time in SM Entertainment?

    What is known about Min Hee Jin through her time in SM Entertainment

    Min joined SM Entertainment in 2002 as a visual designer. She was subsequently elevated with to chief of creatives and drove the visual marking of groups/bands like Girls’ Generation, Shinee, f(x), Exo and Red Velvet. Her job included administering the preparation and creation of collection fine art, outfits and music recordings, as well as building the artist’s image personality through non-visual means.

    For example, she made a show to honor the arrival of f(x’s) 4 Walls collection (2015), and drew in fans in a logical game named “Pathcode” as a component of advancements for Exo’s 2015 collection Exodus.

    During her residency at SM, she got consideration for her experimental approach, exploratory way to deal with visual art course, which contrasted from the conventional style utilized by original K-pop symbols. Min is credited with changing the visual course of the K-pop industry to turn out to be more idea driven, and is especially noted for her work on f(x’s) 2013 collection Pink Tape. She joined SM’s directorate in 2017, however left the organization toward the finish of 2018 due to burnout.

    In the wake of functioning as the Creative Director at SM Entertainment organization, Hee-jin went through heaps of mental and work pressure. She had no time left for her and felt wore out. Discussing her work life at SM and how she chose to leave the organization.

    In 2019, in the wake of leaving SM Entertainment she got a call from Hybe Corporation and was delegated for the place of Chief Branding Officer (CBO).

    When did Min Hee Jin join Hybe Corporation and what is her work there?

    When did Min Hee Jin join Hybe Corporation and what is her work there

    Min joined Hybe Corporation in 2019 as Chief Branding official and managed the organization’s rebranding. She was selected CEO of Hybe’s new sublabel ADOR in November 2021. It was the first time that hybe had sent off an autonomous label without anyone, all by itself. Min partook in a proclamation, “Our label will not hold back to acknowledge new demands and endeavor to make artist IP and content containing ADOR’s one of a kind way of thinking.” The name divulged its most

    memorable young lady bunch, NewJeans in July 2022, with Min driving their imaginative course and improvement.

    Did Min Hee Jin get any award?

    Did Min Hee Jin get any award

    Min hee Jin won the Mnet Asian Music Awards in classification – Best Visual and Art Director in the year 2016.

    What are Min Hee Jin’s future plans?

    What are Min Hee Jin's future plans

    Not long after her takeoff, BTS’ record label Big Hit Entertainment declared that Min would join as head Branding official accused of what we presently know was the rebranding turn out fundamental for Big Hit to become amusement organization Hybe Corporation, which went off about in May 2021.

    What are the lesser talked facts about Min Hee Jin?

    What are the lesser talked facts about Min Hee Jin

    At the point when Hee-jin joined SM Entertainment, she was not keen on the Idol group’s music; all things considered, she needed to chip away at the collection covers. Because that was her area of interest. After finishing her temporary position in the Korean promoting business in her initial year, she had been worried about her future work. Despite the fact that she wasn’t into k-pop culture, she accepted that she might in any case profit from the icon/idol music industry by marking on SM enlists and exhibiting her imaginative viewpoint to audience members in the more extensive way.

    What is known about the work history of Min Hee Jin?

    What is known about the work history of Min Hee Jin

    Min Hee jin functioned as an imaginative chief on essentially all cycles, including music recordings, stage style, and bundle plan, however she didn’t have such a notable art and creative group when she began her vocation in 2002. She had recently fabricated a fruitful group dynamic

    strategy after her most recent preliminary had been effective. She had as of late made an effective group for the purpose of decision making interaction.

    Because of her diligent endeavors, SM at long last allowed her to deal with full visual course in 2009, when she was given the responsibility of South Korean girl group or SNSD and SUPER JUNIOR’s Since their pre-debut, she has likewise taken care of the visual heading for SHINee, f(x), EXO, Red Velvet, and NCT.

    How did Min Hee Jin get interested in visual art and design?

    How did Min Hee Jin get interested in visual art and design

    She became fascinated in portraying and was enlivened by her grandpa to seek after a lifelong in visual arts. She joined the school’s communicating club since she once longed for turning into a sound chief. At last, she and her more youthful siblings both chose to go to a art school and major in visual planning.

    She and both of her more youthful siblings pursued the decision to study designing at art school. Before long, she had been restless about tracking down work in the wake of completing her temporary position in the Korean publicizing industry. Despite the fact that she’s not into idol culture, she believed that by simply marking on SM initiates and exhibiting her imaginative perspective to audience members in a more extensive crowd. She accepted that she may as yet benefit from the k-pop idols music industry.

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